Showing posts with label Tribute. Show all posts
Showing posts with label Tribute. Show all posts

Sunday, February 21, 2010

Hail the Half-Blood Prince

Happy 64th birthday, Alan Rickman!

I would call and leave you a message, but I think your answering machine is full:


Anyway, you rock, Professor. Way to make villainy oh-so-cool. And thank you for your first line in this clip, which may be my favorite line reading of all-time:


I love you, you sexy old man, you.

Saturday, February 14, 2009

A Sunshine Valentine

For as sensitive as I am, you'd think I'd be more into Valentine's Day. I'm not terribly, and yet somehow, I find myself brimming with romantic sentiment. Shrug, I say. Shrug.

I can solve a bit of the mystery, as I know I was definitely inspired by the lovely Missa's cinematically-inclined V-Day shout-out on her amazing blog. It doesn't get much more real, beautiful, or romantic than Jesse and Celine in Before Sunrise/Before Sunset.

And speaking of real, beautiful, and romantic, it just doesn't get any better than Joel and Clementine in Eternal Sunshine of the Spotless Mind. This is the film that immediately popped into my head after the wheels o' love were set a-spinnin' after seeing the clip of Before Sunrise. Joel and Clementine...swoon.




Happy Valentine's Day, my lovelies.

Sunday, September 28, 2008

A Beautiful Man


We knew he was sick, we knew he didn't have much time left, so we should have been prepared for Paul Newman's death, right?

Sigh. Wrong.

I was moving all day yesterday, so even though I was deeply upset, I really didn't have time to process the devastating news until now. And the verdict? I'm heartbroken. Paul Newman is truly one of the greatest of the greats, one of the tallest of the towering cinematic giants, and the golden boy of Hollywood's golden age. He was also a phenomenal human being. He will be missed terribly.

I didn't cry until I went to IMDB this morning and saw the tribute on the home page. That was when I first felt the sting. All my love and thoughts are with Joanne Woodward and their family.

Mr. Newman, you will always be in my heart. Not even death can dim the light in those radiant blue eyes.

Friday, August 29, 2008

Happy Birthday, Preston Sturges!


Today marks what would have been, and still is for those who celebrate him and his work, the 110th birthday of cinematic legend Preston Sturges.

I bring him up on this blog as often as I can (if it's even remotely possible to relate something to Sturges, I WILL make the connection, guaranteed), but for those who don't know, Preston Sturges is one of the best writers who ever lived, one of the most gifted and important writer-directors of any time or any medium, an extraordinary human being, and my hero. He occupies a very special, and sizeable, place in my heart.

Preston Sturges is a constant source of inspiration for me. Not a day goes by that I don't look to him for artistic, literary, or personal guidance. Every time I think about writing something, every time I look at a blank computer screen waiting to be filled, every time I place my fingers on the keyboard, and every time I experience the exhilaration that surges through my mind and body when the gears click and the words start flowing, he's there. He is my muse.


Happy birthday, Mr. Sturges, and thank you.

Friday, August 15, 2008

Bob Kabob

This upcoming Sunday, August 17th, Comedy Central is airing a roast of Bob Saget (who's looking GOOD, by the way), everyone's favorite obsessive-compulsive, ultra-tidy, oft-hugging, speech-over-sappy-music-giving TV dad, Danny Tanner.

I am ridiculously excited about this.

Wednesday, August 13, 2008

Happy Birthday, Hitch!

On August 13, 1899...


...the Master was born.


And cinema could never know what was about to hit it.

So, grab your binoculars, dial "M" for murder, outrun that crop duster, put on your best necktie, do whatever strikes your fancy to celebrate the life and career of Sir Alfred.

You can even take a shower...if you dare.

Saturday, August 9, 2008

Windy City Tragedy


Bernie Mac died this morning at age 50. I'm not a huge fan of his by any means, but I was struck by the news and felt compelled to write something. I respected him as a performer, I always thought he was funny, and he was a good guy (good guys wear black - right, Mr. Mac?). I feel really sad losing one of Chicago's own so abruptly, and so young. The gloomy day outside is fitting.

Bernie Mac, you're a fellow Obama supporter (sorry you won't be around to see how it plays out), a fellow White Sox fan (hell yeah!), and a fellow Chicagoan. You will be missed.

Rest in peace, Mr. Mac.

Sunday, July 27, 2008

Ode to a Clown

I apologize for my AWOL-ness lately, but I took an unintentional and, it turns out, a much-needed hiatus from blogging. Rest assured, people, I'm back now.

What better idea for my first entry in a week and a half than to post the pictures of myself Joker-ized for the midnight screening of The Dark Knight? I got really into it (how often can a lady in civilized society purposely smear lipstick all over her face?), and I was quite pleased with the results, but I admit that I'm a bit shy all of a sudden about sharing them. Considering I haven't posted very many pictures of myself on this blog, I'm a bit embarrassed that the bulk of them now consist of me looking a bit psychotic ("a bit" may be an understatement - you be the judge!). Well, it is what it is, right? I was honoring Heath Ledger, and I'm really proud that I executed it successfully.




"See, I'm not a monster...I'm just ahead of the curve." - The Joker


Friday, July 4, 2008

The Fireworks Just Don't Sparkle As Brightly Anymore...

This is really for Heath Ledger, not America. They merely happen to coincide today.



I miss him...so very much.


Monday, May 12, 2008

Happy Birthday, Kate!

I want to honor my favorite actress of all time, Katharine Hepburn, by celebrating what would have been her 101st birthday today. Her work and life have meant so much to me. She's my idol. Not only was she immensely talented (the best actress ever, in my opinion), she was also smart, strong, independent, and the ultimate feminist. Women are lucky to have her as a role model. And to young girls: you want someone to look up to? Look up to Katharine Hepburn. Kate's unabashed pride in her gender and her insistence that women are equal to, and perhaps even better than, men are gifts that never stop giving. Tough, determined, and confident, she succeeded in maintaining a career over SIX decades and conquering the male-dominated film industry. She showed the big boys that she wasn't messing around, she didn't take crap from anyone, and she did it all with integrity. Katharine Hepburn is a constant inspiration to me, and I only hope I can be even 1/100th of the woman she was.

Happy birthday, Ms. Hepburn.

Saturday, March 8, 2008

The Adrienne Shelly Foundation


About two months ago, my life was irrevocably changed when I watched Adrienne Shelly's glorious final film, Waitress. Rarely have I been so moved by a film experience. You can read my original review here. I can probably count the movies that have affected me that deeply on two hands. I connected with the main character, Jenna (played exquisitely by Keri Russell), so profoundly. She's terribly unhappy and stuck in a horrible marriage with an abusive husband, she's pregnant with a baby that represents eternal bondage to her current misery, and while she knows that she deserves better in her life, she doesn't really believe in herself. She's too insecure to take the risks required to affect change. The odds seem insurmountable. Jenna is beautiful, intelligent, compassionate, and a wizard with pies. She's like a magnificent flower blooming in the midst of a garbage dump. Waitress is such a special film with a powerful message of hope and love and learning to believe in yourself. You have to save yourself and take control of your own life. I have found so much comfort in Waitress, as I'm sure many other people have. It has truly been an inspiration.

The incomparable Adrienne Shelly wrote, directed, and starred in Waitress. As Jenna's friend Dawn, she lights up the screen with her presence. It's especially fitting that she is named "Dawn," because she's as radiant as a sunrise. Tragically, Adrienne Shelly was murdered on November 1, 2006. She never knew that Waitress was accepted to Sundance, and she wasn't able to witness the amazing success the film has had. Somehow, though, I think she knows. And even though someone cruelly and heartlessly took her life way too soon, hers is a light that cannot be extinguished. Her legacy lives on, and she is still with us.

Adrienne Shelly started as an actress who got her big break in Hal Hartley's The Unbelievable Truth (1989). She worked with Hartley again in 1990's Trust and continued to act in films and television, but she always wanted to make her own movies. She eventually wrote, directed, and starred in three features: Sudden Manhattan (1997), I'll Take You There (1999), and Waitress (2007). She also wrote Serious Moonlight (to be released in 2009), which was directed by Waitress co-star Cheryl Hines.

When she died, she was married to Andy Ostroy, and they had been together for five years. She gave birth to their daughter, Sophie Ostroy, in 2003. Sophie, a gorgeous little girl left without a mother at such a young age, also appears in Waitress. Even as a little girl, it's clear that she inherited her mother's spirit. I think it's safe to say that Waitress was her biggest passion project, and it shows. Shelly wrote the script while she was pregnant with her daughter, so I think in many ways it's a love letter to her baby. And what a letter it turned out to be. When Sophie is old enough to see the film and understand it, she will realize just what a precious gift her mother left for her. Jenna writes a letter to her unborn baby in the movie, but Waitress IS Adrienne's letter to Sophie. The film positively bursts with Adrienne's love for her daughter, and with her love for life.

In Adrienne's memory, her husband Andy Ostroy established The Adrienne Shelly Foundation to help women filmmakers realize their potential. This is from Andy Ostroy's letter on the official website:

"Adrienne was fiercely dedicated to the art of filmmaking and, at 5’1”, stood tall in an industry where women face many challenges and hurdles to climb. But she did it, and on her own terms. She was able to successfully make the transition from actor to filmmaker, having written and directed three features. Her last directorial effort, 'Waitress,' premiered at the 2007 Sundance Film Festival, was sold to Fox Searchlight Pictures within hours of its screening, and went on to become a smash box-office success nationwide. In the brief weeks and months after her death, Adrienne had finally reached the critical acclaim of which she always dreamed."

Her fierce determination is evident in every frame of her work. Waitress was her version of "I Am Woman, Hear Me Roar." With the cinematic landscape so pitifully littered nowadays with sexist stereotypes and characters that embarrass me as a woman, Adrienne Shelly emphatically and thankfully provided strong female role models. That's so rare and wonderful. Waitress is a completely empowering film, and her feminine (and proud of it!) voice rings loud and clear. It's obvious that she was a tough cookie. She had to be. In an industry dominated by men, Adrienne Shelly fought her way in and proved she had what it takes. That's what women have to do. They have to fight for their dreams.

There are some great female filmmakers working today, like Sofia Coppola (Lost in Translation, Marie Antoinette), Hilary Brougher (Stephanie Daley), Susanne Bier (After the Wedding), Sarah Polley (Away from Her), and Kimberly Peirce (Boys Don't Cry, Stop-Loss), but there should be more. We need more female voices out there.

I've witnessed this patriarchal system firsthand. I recently graduated from college. I was one of a rare species: a female film major. I received my BA in film with a concentration in film/critical studies. My field was more co-ed than most, which isn't saying a lot, because there were times when I was the only girl in a class of 20. If I was really lucky, maybe there would be one other female. But the lack of a feminine presence was always glaringly noticeable. I felt the sting of this gap most in production classes that required making our own films and working very closely with coursemates. There would be maybe three or four girls, if that many, in a class of 16. You do the math. That's intimidating, even though it shouldn't be. The ratio alone makes women have to try harder to get noticed, no matter how progressively feminist the teacher may be. There's just a whole lot of testosterone flowing. Nobody ever said anything directly. No one ever put women down in class. Of course not. But it was always there, and as a woman, I felt it. And if it's like this in school, then amplify that by about a hundred in the "real world."

Since I've witnessed this imbalance for myself, it makes me appreciate the work of The Adrienne Shelly Foundation even more. Adrienne Shelly's career is a triumph. She was a female trailblazer, and women filmmakers owe her a great debt for her fearless pursuit of her dreams and the refusal to compromise her amazing vision. This non-profit organization is giving women opportunities that might not be, and probably wouldn't be, available otherwise. It's devoted to advancing the progress of women in filmmaking. From the website's main page: "Adrienne's passion in life was to make movies. She lived for her art; she never compromised her integrity or commitment to her vision. She always strived to help women obtain every opportunity possible to create their mark in film."

Here is the organization's mission statement: "The Adrienne Shelly Foundation supports the artistic achievements of female actors, writers and directors through a series of scholarships and grants, providing recipients with financial support and consultative access to the Foundation's advisory board of actors, directors, producers, composers, law, publicity, academic and trade professionals. Reflecting Adrienne's spirit, generosity, courage and whimsy, our goal is to recognize the tremendous passion and commitment of women artists in creating their own work, and provide them with support and guidance particularly during periods of transition and struggle."

"Support" is such a key part of that statement. The organization is doing a beautiful thing by supporting female filmmakers, and I think Adrienne would be immensely proud.

For more on The Adrienne Shelly Foundation and what you can do to help, or for information on how to apply for grants and scholarships, the official website is: http://www.adrienneshellyfoundation.org.

Andy Ostroy is the Executive Director of the organization, which is headquartered at:

Adrienne Shelly Foundation, Inc.
16 West 22nd Street
11th Floor
New York, NY 10010

Other methods of reaching The Adrienne Shelly Foundation:

Phone number: (212) 381-1702
Fax number: (212) 924-9949

Donations are welcome and greatly appreciated. They are also tax-deductible and can be sent via regular mail to the above address, or you can donate online through the official site using PayPal: http://www.adrienneshellyfoundation.org/donate.html.

Adrienne Shelly blazed a path of brilliance for women filmmakers. She made the films she wanted, and we're so fortunate that she did. Even though it shouldn't have to be, Waitress is a moving memorial to a great woman. Her own words and art preserve her legacy the best. The Adrienne Shelly Foundation is continuing the work that she can no longer do, and brilliantly at that. In the film industry, a woman has to be extra special to make it. Luckily, Adrienne Shelly was, is, and always will be special.

On the main page of the organization's website, these words perfectly describe Adrienne Shelly: "Those who knew Adrienne knew her as wonderfully funky, spirited, funny, silly and smart. She believed in spreading love wherever she went. She was a truly kind and beautiful soul, whose infectious smile illuminated everything around her. There was no one else like her."


When I described the character of Jenna in Waitress in my opening paragraph, I definitely had Adrienne Shelly in mind, especially the parts about facing insurmountable odds, believing in yourself, and taking control of your own life. Adrienne faced and overcame seemingly insurmountable odds, believed in herself enough to take risks and express her unique artistic vision, and took control of her life and made her dreams a reality. Thank you, Adrienne, for being such an inspiration. Thank you for touching my heart and my life.

While everything about her phenomenal masterpiece, Waitress, is a powerful and constant reminder of Adrienne Shelly's extraordinary life, talent, and passion, two specific quotes strike me as especially poignant:

Jenna: "I was addicted to saying things and having them matter to someone."

Ogie, hopeless romantic and poet, tells Dawn, Shelly's character: "If I had a penny for everything I love about you, I would have many pennies."

Adrienne Shelly certainly said some wonderful and profound things in her short life, and they mattered to a lot of people. They still matter and resonate every single day and will continue to do so, because SHE matters to a lot of people. She always will.

And, if we had a penny for everything we loved about Adrienne...well, we would have many, many pennies indeed.

Saturday, March 1, 2008

We'll Always Have Brokeback

So, here it is: my long-overdue Heath Ledger tribute. Even as I'm typing, I have no idea what I'm going to say in this eulogy. I don't even know what I want to accomplish. All I know is that I need to write about it. It's my way of doing something meaningful, and my way of healing. It's been over five weeks since he died now. It seems so far away, and yet it feels like it was yesterday. I have literally been terrified to write about him. I kept putting it off because I was afraid that I couldn't do his life and memory justice. How could my measly words capture the essence of a whole human being? Now, I realize that nothing anyone could ever say about Heath Ledger could ever do him justice. So, I'll just do the best I can.


January 22, 2008:

7:15 am: I wake up eagerly anticipating the live Oscar nominations.

7:30 am: I listen to mindless E! drones babble and speculate.

7:45 am: The nominations are mostly quick and painless. I get a phone call from my boyfriend, and we spend 45 minutes yacking about them. I'm all outraged and excited like every year.

After this, I do some miscellaneous things. I don't really remember. All I know is I got up too damn early for the nominations, so I ended up taking a nap around 1 pm or so.

3:30 pm: Heath Ledger is found and pronounced dead.

3:50 pm: I get woken up by a phone call from my boyfriend. It's totally unrelated to Heath Ledger's death. We talk for 8 minutes. I have woken up in a world without Heath Ledger, and I don't even know it yet. Ignorance really is bliss, isn't it? He died while he was sleeping, during the time when I was sleeping. No one knew yet. I don't think the news broke until about 20-30 minutes after they found him, so around the time when I got my phone call or somewhere in the middle of it was when people first found out in the world at large.

3:56 pm: I get a text message from my friend. I'm on the phone, so all I hear is a beep.

3:58 pm: I get off the phone and wander over to the computer. I'm going to send an e-mail based on what my boyfriend called me about, so I plop down in the chair, still exhausted. I remember I heard that beep, so I check my text message. It reads, "Good lord heath ledger died." I panic. My heart races. I sign on to the internet, and I go directly to Yahoo! news. There it is. It's really true. My heart falls into my stomach with a thud.

4:02 pm: I call my boyfriend to tell him. He's shocked. I'm still shocked.

4:03 pm: I get an incoming call from a really good friend. "Did you hear about Heath Ledger?" This call lasts a minute.

4:07 pm: My boyfriend and I end our call. I send out texts to people. I post something about it on my Facebook status. I watch in awe as the news spreads like wildfire. Then, I cry.


I'm sorry if that was really boring, but I had to recreate the series of events that led up to Heath Ledger's death. I had to travel back to January 22nd and get in touch with how I felt that day, hearing it, in order to start really writing. It's working. I feel awful. The tears are welling up again. I've really just never seen news spread like that. The age we live in is insane. I mean, everyone knew about it within minutes. It was amazing to witness the power of the internet era like that, but it was also disheartening, because as soon as the news broke, all the speculation and gossip started. I couldn't stand listening to it. People who prey on the pain and death of others are sick and vile. They're not worth my time. Fred Phelps, I'm letting it go. You'll get yours someday. I don't want to include any hate or anger in this post.


I know people might think it's silly to get so worked up about a celebrity, but I've always felt things deeper. I'm such a typical Cancer, ruled by emotions. It's difficult to explain why I'm so upset about his death. I wasn't like his biggest fan or anything. I guess part of it is that I'm a movie nut. Everyone knows that. This blog makes it amply clear. So, when one of the biggest stars of my generation dies, it hit me really hard, just as a film lover. It was like James Dean, if you want to compare. It was huge. All that talent extinguished in the blink of an eye. Then, I'm so sad for Matilda, who will grow up not knowing her father. I'm sad for Michelle Williams, who clearly still loved him, even though they had their problems. They had a fairy tale romance, which I enjoyed seeing blossom. Also, I have never been more excited about a film than I am about seeing The Dark Knight. For weeks before his death, I had been watching the trailer daily, marveling at his performance, which I knew would go down in history as one of the best. The movie looked awesome, but it was Ledger that got my attention. I had never seen anything like it, so intense and raw. He's acting out of every pore. Finally, I have a very special attachment to Brokeback Mountain, and he's the main reason why. So, in a nutshell, that's why his death has affected me so much. But, I need to break it down to make more sense of it.


This is so hard. I know why I was avoiding it. It's so painful to analyze it, but I need to. I have to give myself closure, however feeble an attempt it may be. I don't know if there can be closure. Okay...deep breath. So let's start with my familiarity with Heath Ledger's career. I knew of him, of course. I was very knowledgeable about his work. However, I'm ashamed to admit that I have only seen three of his films. I know, it's awful. I always loved him, though. I remember working at a movie theater when A Knight's Tale was out, and I would sneak into a theater while it was playing and watch for a few minutes here and there. It looked like a lot of fun. I remember all the heartthrob talk about him. Sigh. I need to get over this guilt I feel about not seeing more of his work. That doesn't mean I loved him any less, and it doesn't make my reaction to what happened any less valid.


I saw The Patriot on DVD (was it still video then?) at a friend's house when it came out. I loved the movie, and I loved him in it. His performance was so vivid that I never forgot it. My lovefest with Heath (can I call him Heath? Is that disrespectful? I want to call him Heath, because this is a very personal journey I'm on here.) began with Brokeback Mountain, as I'm sure a lot of people's did. That was his huge moment, his big break-through performance. People were stunned that he was such a great actor. They couldn't believe it. The first time I saw Brokeback Mountain, I fell head over heels in love with it. I thought it was one of the most beautiful things I had ever seen, and one of the most beautiful love stories. I still think that. To say I was blown away by the film is an understatement. I saw it several times in the theater. I wasn't making annual lists then, but if I had been, Brokeback Mountain would have been the best film of 2005 for me.


I loved everything about the film (even Anne Hathaway and her crazy hair), but I thought Heath was a miracle. I connected with that performance and the character of Ennis Del Mar in such a profound way. Who knows why? I just did. Maybe it's because I've felt some of that outsider pain. I've felt trapped in my shell and my own body at times. I was at a really bad place in my life in late 2005. I was miserable and lonely. Nothing felt right. I didn't feel right. Ennis was a character I totally empathized with instantly. I can't think of many other characters or performances that have made me feel that instantaneous, unbreakable connection, except for Ellen Page as Juno and Keri Russell in Waitress. No film had moved me as much in years, since Magnolia, when I saw it in 1999 and found it so beautiful that I knew deep down I had to go to film school (Hitchcock started it, but Magnolia was the clincher), even if I wasn't aware of it yet. After years of stress and emotional torment (since 2001, really), Brokeback Mountain was a revelation in 2005. And boy, did I need a revelation. It spoke to me, it changed me, it inspired me, and it even healed me a little bit, enough to replenish the strength I had forgotten I had. That's the power of cinema.


So, when I said I don't know why his death affected me so deeply, I guess I was wrong. I absolutely know. Heath Ledger was part of an epiphany. Heath Ledger was part of a major turning point in my life. Heath Ledger was a part of an emotional milestone. Heath Ledger was and is Brokeback Mountain. He represented that experience for me, and he still does. He is the heart of the film, and without him, there would be no film. I know that Brokeback Mountain started something very profound for me, and even though I didn't quite realize it at the time, beyond knowing that I loved it and was moved by it, I can now look back with the clarity of hindsight and recognize it as the beginning of a new chapter in my life. Something just shifted and clicked. Less than a year after seeing it, I took initiative, made some serious, much-needed changes, and regained control of my destiny. I'm not sure I would have had the courage to do so without Brokeback Mountain and Heath Ledger.


Beyond the film, I also thought the relationship between Heath and Michelle Williams was just about the most romantic thing ever. I was so happy for them, and they seemed perfect for each other. They were so swooningly in love. I don't know what happened, but I believe that they still were in love with each other, up until the day he died, and probably even still. This is just me speculating, but I think other factors were too overwhelming, so it just didn't work out. Maybe they would have gotten back together some day. I think he missed her very much, and that probably contributed to his depression. Whatever happened between them really got to him. I'm sure she was equally affected. It's just so sad. I was devastated when they broke up, as silly as that sounds.

I've loved Michelle Williams since my Dawson's Creek days. Of course I watched it, I was in high school when it was big. So, this pairing of Heath and Michelle seemed so magical, and their work in Brokeback Mountain is so special. She's amazing, too. And then, they had a beautiful daughter, Matilda. My heart aches when I see the pictures of her with her daddy and hear people talking about how devoted he was to her. I fully believe Heath's family. This was no suicide. He had too much to live for. His career was about to explode with The Dark Knight, and he worshipped his daughter. It was a total accident caused by the negligence of doctors (pressured by drug companies) to overmedicate without thinking about the consequences. What a tragedy. There needs to be more regulation of prescription medications.


I know that Heath will be watching over Matilda, and I know that Michelle is a great mother and will do the best she can to be both mother and father to this precious little girl, even though nothing can ever fill the void left by the loss of a parent. Matilda will probably not remember anything of the short time she had with him when she gets older, but he will always be with her, and she will be able to see how her dad moved countless people with his work and how much he influenced cinema and the world with his life and talent. And she'll be so proud. At least his memory will be preserved for her. She'll have that much, at least. I'm Not There contains the most parallels to his life, and it'll be something for her to treasure when she's old enough. His love for her resonates with every note of his performance.


I want to take a break from my own thoughts for a bit and include some comments from the people who knew Heath best. I'm sure they can say it much better than I can.

At the 2008 Independent Spirit Awards, which aired on February 23rd, Cate Blanchett received the Best Supporting Actress award for I'm Not There. This is from her speech:

"I suppose it's the ultimate post-modern ensemble cast. We didn't actually share any screen time, but we're all there together. So thank you to Marcus Carl Franklin, Richard Gere, Christian Bale, Ben Whishaw and, to probably one of the most beautiful independent spirits of all, Heath Ledger. And this is for him. Thank you."

Also at the Independent Spirit Awards, I'm Not There received the special Robert Altman Award. This award honors a casting director, ensemble cast, and director and celebrates films made in a truly collaborative, independent spirit.

It was presented by Dennis Quaid and Patricia Clarkson (from Haynes' Far from Heaven). This is from their introduction:

Dennis Quaid: "The presentation of the Robert Altman Award takes place under special circumstances this year because one member of the film's ensemble, Heath Ledger, who was also a past Spirit Award nominee, died in January. He played one of the film's multiple personalities, Robbie Clark, a seducer who is himself seduced by fame."

Patricia Clarkson: "Anyone who has seen I'm Not There will remember the line, 'Live in your own time, child.' As actors, we were lucky to leave in Heath's times. We only wish they could have been longer."


From his acceptance speech, the ever-eloquent, compassionate, and wonderful writer/director of I'm Not There, Todd Haynes:

"It was clear that the extraordinary actors Laura (Rosenthal, casting director) helped me to assemble were not just stars, they were artists. They were drawn to and driven by the same kind of creative risktaking that had so inspired me in the life and work of Bob Dylan, and that I tried so hard not to compromise on film. That's my only explanation, cause they sure were not doing it for the dough. Ultimately, this is a tribute to their incredible gifts as performers and a testament to that fundamental risktaking and creative experimentation I'd like to think still distinguishes independent film, the hardest and scariest kind of filmmaking, it's true, but the kind that keeps us learning, that tries things out, and that hopefully contributes to the growth and vitality of the medium that we all love.

But honoring this amazing ensemble today is so bittersweet, given how shattered all of us are by Heath's inconceivable absence. We all loved him so dearly. He really was unlike anybody I've ever known, giving of himself less like an actor than a creative partner on the film as a whole. For beyond his startling depth and sensitivity on screen, Heath was already an established filmmaker in his own right and the creator of some of the most exquisite and diverse music videos I've ever seen. I know our film and the way it was made was very close to his own artistic sensibilities and ambitions. In fact, he had just started circulating a feature script that he was planning to direct, an adaptation of The Queen's Gambit by Walter Tevis. And the first people he sent it to were Ed Lachman (cinematographer for I'm Not There) to shoot and Laura Rosenthal to cast. I have no doubt he would have made an astounding director. And when I'm not looking bitterly or perhaps selfishly at the future of cinema without him, I treasure the time we shared on this film and the love and talent that he gave so freely. Thanks so much to the board of Film Independent. I know I speak for everyone honored today in accepting this award in the memory and the dazzling creative spirit of Heath Ledger. Thank you."

Todd Haynes' speech made me cry. I can't believe Heath was planning on directing films. What a loss. It would have been amazing to see what he could have done. I love Haynes' filmmaking, especially I'm Not There, and I love him for saying these beautiful words.

Finally, and most heartbreaking, here is Michelle Williams' first public statement about Heath's death:


"Please respect our need to grieve privately. My heart is broken. I am the mother of the most tender-hearted, high-spirited, beautiful little girl who is the spitting image of her father. All that I can cling to is his presence inside her that reveals itself every day. His family and I watch Matilda as she whispers to trees, hugs animals, and takes steps two at a time, and we know that he is with us still. She will be brought up in the best memories of him."

If you want to look at my other blog entries mentioning or dealing with his death in some way, go here, here, and for the glorious Daniel Day-Lewis, go here.


I keep writing because I don't know how to end this post. I don't want to end it. I'll probably go weep when I finish. This has been emotionally exhausting, and I thank whoever was patient enough to read it all. I plan on seeing every single one of Heath's films. I'm still eagerly anticipating the release of The Dark Knight this summer. I know my high expectations will be justified and even exceeded. It's going to be phenomenal. Sure, it'll be strange to see Heath Ledger on screen again, so full of life, and especially in this role. I'll probably cry then, too. But I'll be there at midnight the day it comes out cheering him on, celebrating his outstanding performance and his eternal legacy.

The Dark Knight could very well make more money than any other movie has before. Box office means nothing, but still, I'm reminded that the money would be going to Matilda. I have been so excited about the film, and I still am, although now it's bittersweet. It's a starmaking role. I mean, he was already a star in my book, but the whole world would realize it with this film. He'll still shine, though. I predict an Oscar nomination, and a well-deserved one at that. That's obvious from the trailer alone. I'm also intrigued by Terry Gilliam's The Imaginarium of Doctor Parnassus, which will be Heath's last, last film. I think it's wonderful that Colin Farrell, Jude Law, and Johnny Depp have stepped up to finish his role. What a great way to pay their respects.

Still, I'll always cherish Heath the most for Brokeback Mountain and I'm Not There. For my review of the life-altering experience that was I'm Not There, and for some of my feelings about Heath, go here. I'm Not There is so poignant and powerful, and it's a really wonderful memorial to a wonderful man.

Wow. After all this writing, I still feel so inadequate. I'm not ready to end it, but I have to, otherwise I'll write forever. I hope I've managed to convey even a fraction of what Heath Ledger means to me and how he's changed and touched my life. Thank you for reading. I needed this desperately.


Now, this last part is my goodbye to Heath Ledger, and I'm saying it to him. I hope he can hear me...

Heath, thank you so much for bringing your unique passion, spirit, talent, and commitment to film. The world of cinema is richer because of you, and the contributions you made in your way-too-short career are incalculable and priceless. I know the best was yet to come, but I will always treasure the legacy you left us in your films. Thank you for all your work, but especially for your performance as Ennis in Brokeback Mountain. You've touched my heart and moved my soul, and I'll be grateful forever. You're an inspiration, as an actor, a father, and as a human being. I'm so sorry that you're gone. You gave of yourself so selflessly, courageously, and beautifully, and the world is so lucky.

Seeing you in I'm Not There after you were already gone was the most emotional experience I've ever had watching a film. It's a wonderful tribute to you, way better than I could ever hope to write. I know what the title says, and it's tragically fitting, but you will always be here. Always. I'm sorry I couldn't write a better tribute for you. I tried my best, and I hope that my respect and appreciation come across. Thank you for what you gave me. Thank you for being you. Thank you from the bottom of my heart. I miss you so much, and I'll never forget you. I love you, Heath Ledger.


Rest peacefully now, sweet angel.

Tuesday, December 25, 2007

My Tribute to Charles Nelson Reilly

I originally wrote this for Facebook on June 4, 2007:

Charles Nelson Reilly died on May 25, 2007, and I'm still inconsolably sad. I know I never met him, but he has brought so much joy into my life over the past years that I feel so melancholy when I think that he is no longer with us. I'm sure most people have no idea who he is, so let me tell you... he was a comedian/actor/director/entertainer who worked mainly on Broadway and TV. He is most famous for Match Game, my favorite game show ever, on which he was a regular panelist for most of the show's remarkably long run. He was great friends with fellow panelist Brett Somers and incomparable host Gene Rayburn. I refer to Brett and Charles as the "ultimate odd couple" - they sat side-by-side on the top row and exchanged constant, good-spirited insults and banter. Charles is such an integral part of the chemistry that makes Match Game so special (seriously, watch it some time and observe the interplay between Gene, Brett, Charles, Richard Dawson, Betty White, and many others). He has always been one of my favorite parts of the show - consistently witty and hilarious, and just a really sweet, approachable guy. If you don't know anything about Charles, please go watch Match Game on GSN (Game Show Network) - it's on at least twice a day. Then, you'll realize what all of his fans already know - that he's a bigger-than-life, completely unique, magical personality who will be sorely missed. Luckily, we still have all of those reruns to comfort us, so he will never be forgotten. Charles, thank you for bringing so much laughter and awe into my life over my many years of Match Game devotion. There will never be anyone else like you.

My Belated Tribute to Brett Somers

This is one of my seldom departures from writing about film. This is my eulogy to one of my favorite entertainment personalities ever. In case you don't know, Brett Somers was a very talented actress of mainly TV and stage, but she is most remembered for her nearly permanent position in the middle of the top row on the celebrity panel of the wildly successful game show Match Game. I originally wrote this for Facebook on December 18, 2007, but I want to post it here, too. More people need to be aware of this amazing lady. So, here it is:

Oh my god, how did I miss that she died? I only just found out today, and she died in September. And I only found out because I was going through old issues of EW to make a collage. Wow, how tragic. Or maybe I did know and the insanity of the semester just made me forget. Either way, I'm really, really sad. I adore Brett Somers, and the fact that I am only now mourning her death is heartbreaking. But, I am definitely in mourning for the fabulous Ms. Somers now, and I miss her dearly. It's better late than never, right? I recently wrote my obituary for Charles Nelson Reilly. He died this May. Somehow, it makes sense and it's kind of beautiful that they both died in the same year. Not even death could separate the ultimate odd couple. I am a full-fledged classic game show connoisseur, and Brett is one of the main reasons why. Match Game has provided me with countless hours of joy. Brett is always so full of life and so funny on the show, and maybe even sometimes a little drunk. But hey, they all were - she was just more entertaining!

Her repartée with Charles and host Gene Rayburn is just exquisite. She's a firecracker, always willing to belt out a few bars of a song in melodramatic fashion or to good-naturedly accept the jabs of the other panelists to her appearance (wigs and flat-chestedness specifically, the latter in comparison to busty Fannie Flagg). She calls everyone "darling" or "hon" and has some great catchphrases. My favorite, used to express outrage (usually mock), is "Good gravy, Marie!" Also, I just saw an episode where she said that, followed by "Criminy, duck!" I love her!

Of course, I remember and cherish her bickering with Charles the most. She was never seriously mad and could never hold back that beaming smile or contain that infectious laughter. I will never stop watching Match Game, and she will always be alive in my heart. What a woman. Brett, I feel like I know you from watching you for so many years. I love you and miss you. Thank you for all the good times.